Hirota Urushi


Handmade in Japan by Master 廣田洋子 - Yoko Hirota
   

1. Main Techniques
2. Sabi-nuri
3. Chawan-iro
4. Kinpaku Maki-e
5. Master Hirota
6. View Products

Hirota Urushi is the Japanese traditional Urushi arts hand-crafted by master Hirota Yoko (廣田洋子). Master Hirota's artworks are unique in designs and techniques which are hard to find among common Urushi lacquerwares.

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1. Main Techniques in Hirota Art

There are 4 main techniques normally used in master Hirota's art: 1. 櫛目堆漆塗 (Kushime Tsuishitsu Nuri). 2. 金箔 (Kinpaku). 3. 石目堆漆塗 (Ishime Tsuishitsu Nuri). 4. 金彩ひび塗 (Kinsai Hibi Nuri).

櫛目堆漆塗 KUSHIME TSUISHITSU NURI

Kushime (櫛目) is the act of combing to create a pattern for artistic purposes such as pottery. Tsuishitsu Nuri (堆漆塗) is Master Hirota's original Urushi technique where multiple layers of Urushi that is combined with egg white or Ranpaku (卵白) and applied thickly using special flat tool.
  

金箔 KINPAKU

Kinpaku is the technique of laying thin gold leaves on art objects, writing tools, tableware, and religious objects to refine and polish the appearance. The most challenging part is ensuring the sheet must adhered following the surface, whether it's flat or surved depending on the fountain pen shape.
  

ひび塗
HIBI NURI

"Hibi" in English is translated as 'crack'. Master Hirota found the fractured aesthetic through repeated trial and error. The secret to making the black urushi cracked and revealing the gold is by incorporating egg white or Ranpaku (卵白) to create a unique yet artistic trait.
   

石目堆漆塗 蒟醤
Ishime Tsuishitsu Nuri Kinma

This technique is using multiple layers of Urushi. The surface is carved to create hollows that resemble rock perforations. A different color of Urushi is filled into the hollow and finally polished to make the surface flat.
  
  

Fountain pens from Hirota collection are handmade one by one and require years to create.
Therefore, each of them is only available as few as one piece each time.

2. Sabi-nuri

Sabi Nuri is a unique Urushi technique created in Aomori prefecture, and it is meant to create a layer resembling rust by mixing the paste like Urushi and abrasive powder before finally sanding it down. To this day, you can visit art museums in Aomori to see real examples of this art in the form of bowls and even samurai armor.

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Instead of crafting a pen with exactly the same style, however, Master Hirota has infused the Sabi Nuri Fountain Pen with her signature style of uniqueness and creativity. Master Hirota coated our Dream Pen with multiple layers of Urushi, but instead of sanding the entire pen down, she used a tool of her own creation to chisel only specific portions of the pen. In this way, the pen retains a textured sensation while also appearing to have been carved completely from wood with a light brown-yellow pattern like an oak tree's core. In contrast to Urushi art that is neatly polished and glossy, this artwork has a rustic look that makes it stand out.

Instead of crafting a pen with exactly the same style, however, Master Hirota has infused the Sabi Nuri Fountain Pen with her signature style of uniqueness and creativity.

Master Hirota coated our Dream Pen with multiple layers of Urushi, but instead of sanding the entire pen down, she used a tool of her own creation to chisel only specific portions of the pen. In this way, the pen retains a textured sensation while also appearing to have been carved completely from wood with a light brown-yellow pattern like an oak tree's core. In contrast to Urushi art that is neatly polished and glossy, this artwork has a rustic look that makes it

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2. Chawan-iro

Expanding the range of Urushi art, Master Hirota has developed her technique of applying Urushi to something that represents Japanese kilns and pottery. "Chawan" means a bowl in Japanese. Each fountain pen in the "Chawan" series has a subtle pattern and gradation that resembles the bowls that Japanese people use in Japanese tea ceremonies, which emphasizes the humility of aesthetics.

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Chawan plays a significant role in Japanese culture, especially in the Japanese Tea Ceremony. Originating from an appreciation for aesthetics, the art on the tea bowl has become an important aspect of the Japanese Tea Ceremony itself. During the ceremony, after the host serves the guests the prepared Matcha, they are encouraged to take notice of the visual appeal of the bowl.

Master Hirota is inspired to paint the Urushi using the same aesthetics for this collection. Each pen carries the finest quality details from her decades of experience as an Urushi master.

3. Hirota Kinpaku Maki-e

A Symphony of Flora: Pen's Artistic Story

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What makes the pen special

Master Hirota's artisan fountain pen design showcases meticulous craftsmanship and unwavering attention to detail. In her latest creation, she weaves a narrative of storytelling through meticulously hand-drawn Maki-e, artfully depicting the enchanting beauty of flora.

EXPLORE THIS COLLECTION

4. About Master Yoko Hirota

With a great interest in traditional handmade crafts since elementary school, master Hirota decided to choose this path and developed a strong passion for Japanese Urushi-making traditions. Master Hirota now has more than 30 years of hands-on experience in making Urushi and Maki-e.

Hirota's artwork focus on the stylish minimalism and durability of the objects. Either it's a pair of chopsticks that serve everyday meals or it's an ornament used in the palace, it must last long and express the aesthetics of Japan's art.

Hirota Urushi